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Good way to Approach Diminished and Augmented Chords
The terms 'Diminished' and 'Augmented' often frighten guitarists.
I think this is because like everything else to do with chord formulas, they are ideas that are easier to understand on the keyboard rather than on the fretboard.
A good way to think of the term 'diminished' is as 'even more minor than minor' and augmented: 'even more major than major'
Example: Major chords use the 1st, 3rd and 5th notes of the major scale (1,3,5). To augment the chord you 'stretch it' by sharping the 5th (1,3,#5)
Similarly: Minor chords use the 1st, flatted 3rd and 5th notes of the major scale (1,b3,5). To diminish the chord you 'shrink it' by flatting the 5th (1,3,b5).
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This entry was posted on October 4, 2009 at 12:14 pm, and is filed under
Augmented,
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Diminished,
Good way to Approach Diminished and Augmented Chords,
Guitar Chords
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